Positions a kajira should know
Any examples in here should not be copied word for word as they are only examples, if you need to demonstrate any of these positions you should add personalized information about yourself. aisling has jade eyes and chestnut hair that has not been cut apart from shaping, therefore these examples will demonstrate that.
kajiras must always hold themselves well with their back straight and head up, however eyes should be kept lowered for respect of the Masters and Mistresses around them. A kajira should be proud that she is a kajira and that her ko-lar shows that she has been chosen above others.
Finally at all times kajiras must talk in third person, this girl has used first person when explaining the position to help you understand the position fully. Talking in third person involves calling yourself by names such as a girl, this slave, or by your character name, in aisling's case aisling. For Example: "I wish to leave" can be said as: "this girl wishes to leave", "please may a girl leave" or "aisling seeks permission off one of the gracious Masters or Mistresses to leave". Whatever you do try not to use the word 'I/i' unless you are a freeperson.
Last edited on 16/04/99 (dd/mm/yy)
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Bara |
this is a position used for the binding of the slave. |
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you move face down onto your stomach, turn your head to the left and cross your wrists behind your back and after outstretching your legs cross your ankles. |
~aisling slides over from kneeling her chestnut hair flowing naturally over her shoulder as she leans forward onto her stomach, outstretching her legs she feels the roughness of the fur on her thighs and legs, moving her hair out of her face she slides her arms down her sides and over her back crossing them in the small of her back, crossing her ankles she turns her head to the side and lowers her eyes down feeling her long eyelashes brush against her cheek as she prepares for the binding~ |
Belly |
This is an Obedience Position |
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you move onto your stomach and slowly move towards your Master's feet and then lick or kiss His feet before moving back to the original starting point |
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~aisling leans forward from her kneeling position on the slave rugs and moves quickly on to her belly, flicking her head she moves her hair onto her back so it won't be harmed by the ground, moving forward she feels the fur on her breasts and it sends a shudder of enjoyment through her, the slave smiles and continues her way towards her Master's feet, upon reaching her Master she kisses her Master's Feet, soothing his feet with her soft lips, before she slowly makes her way backwards towards the slave rugs, reaching the rugs she moves into a kneeling position, allowing her hair to fall naturally over her left shoulder, and lowering her eyes in respect for her Master~ |
This is a Position for Binding, similar to bara but with a different head placement. |
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you lie on your stomach on the floor, legs straight, crossed at the ankles, with your wrists crossed behind you, hands resting in the small of your back. Head is placed downwards into the ground. |
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~pulling herself forward, over her knees, aisling slides forward onto her stomach, her legs unfurling quickly from their bent kneeling position, straightening behind her, the soft skin under her legs catching the furs and sending a tremble of delight through her, crossing her ankles and catching her hair and pulling it over her left shoulder so that it may not hinder the binding, places her hands crossed, left over right in the small of her back~ |
A dance Position very difficult to hold for any length of time |
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from nadu, lean backwards taking your arms over your head, lifting onto your toes and then unfolding your knees place your feet on the ground placing your hands either side of your head (similar to going into an Earth gymnastic bridge from kneeling) |
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~aisling from kneeling leans backwards, until she feels her chest going tight and then she raises one gentle hand at a time above her head, rising onto her toes as she places her hands onto the soft fur behind her and then gently unfolding one leg at a time places them outstretched so her arms are bent and her legs are outstretched imitation of a hunters bow a smile comes to her soft lips as she holds the position~ |
this is another position used for the binding of slaves. |
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this command can be given either when you are standing or kneeling, in both cases it is a command that you must put your arms behind your back and turn your head to the left with your chin tipped slightly upwards. |
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~aisling quickly moves in to position her hands crossing in the small of her back, nestled over her hair and her face with it's delicate features almost float to their position when she turns her head to the left and tips it up gently~ |
this is a position to move into if ever you are captured |
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you lie on your back, bending your knees so your feet are flat against the ground. Place your hands at your side and do not move at all. |
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~aisling trembling with fear, lies down on her back, a sharp stone digging into her soft back, sending jabs of pain up her back, but continuing she draws her legs up, so her knees are bent and her feet are placed flatly on the hard ground… sliding her slender arms down her body till they are at their full extent, placed resting beside her hips, a tear welling in her eye, both from fear and pain, she lies motionless, a silent, submissive slave about to be captured~ |
C rawl |
lying on your stomach you crawl, head down, to the position your Master told you to. |
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~aisling lowers herself from standing onto her stomach passing through a kneeling position, lowering her head her hair flows forwards off her back and over her face, balancing on one hand she gathers her hair up and throws I onto her back once more, then crawling forwards she feels the soft furs under her fingertips and moves quickly to the position her Master instructed her to crawl to, reaching the place she retains her crawling position to await further instruction from her Master~ |
Display |
a display position - the position to move into when commanded to present yourself |
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you stand feet apart, hands clasped behind your neck, elbows out, chest thrust out. |
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~aisling stands gracefully releasing her legs from the kneeling position, standing tall, she places her feet slightly apart, so that she feels the soft rug on the base of her foot, raising her slender arms she places them behind her neck, clasping her gentle fingers together. Arching her shoulders backwards to push her chest out she feels the tips of her breasts push against her clothes, tipping her head upwards she lowers her eyes, so her eyelashes, skim the top of her cheek bone, as a soft blush appears on her cheeks~ |
Hair |
to present the Master with the slaves hair so he may lead her |
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you bend at the waist whilst standing, place your feet flatly on the floor and allow your hair to fall forward, you then stand up when Master has your hair and remain in Leading position until Master tells you otherwise. |
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~aisling places her feet apart slightly and bends forward with ease, her long chestnut hair slides off her back and billows around her feet whilst aisling waits patiently for her Master to take her by the hair~ |
Heel |
a position so that you are always available should the Master need you |
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you stand about one and a half paces behind your master on his LHS following his movements |
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~aisling quickly crosses the camp from her seat on the slave rugs and mentally measuring 1 and a half paces behind her Master stands there, her eager jade eyes watching her beloved Master's every movement, ready to follow him wherever he goes~ |
High Harness |
a display position |
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you lift your head up as high as you can and expose your throat |
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~aisling proudly lifts her face up to the tor-tu-gor*, and when she has reached as far as her neck will allow her she lets her head fall back so that he Master can see the flesh of her throat shining in the light from the fire~ |
*the sun
Karta |
an Obedience position |
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from kneeling back on your heels, thighs apart (as for Nadu) lower your head to the ground and place your palms against he ground |
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~aisling quickly kneels down on the ground and sits back on her heels opening her thighs feeling the skin tighten across them, then bending forwards she lowers her head to the ground allowing her hair to fall naturally into the ground creating a chestnut carpet, as her head touches the ground she closes her eyes blocking any light from entering and finally she places her hands palms down on the ground~ |
Ko-lar |
this is the position you need when you are to be kolared (collared) |
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kneeling down on your heels, thighs apart, lower your head and extend your arms over your head, crossed at the wrist. |
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~aisling quickly slides down into a kneeling position, her hair cascading over her shoulders, sitting back on her heels she opens her thighs, and feels the skin tighten, lowering her head her eyes catch the light from the fire and they shine a mix of jade and red before she blocks out the fire with her arms as she raises them above her head, crossing them at the wrists~ |
Leading |
After Hair you should be in this position so he can easily lead you. |
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stand behind your Master slightly, bend at the waist placing your hands behind you and put your head on the side of your Master's hip |
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~aisling stands slightly behind her Master, and bending easily at the waist she places her hands behind her back and rests her gentle head lovingly against her Master's hip, her thick chestnut hair still covers her delicate features and she is blind to the outside world trusting her Master completely to keep her safe~ |
Leasha |
another position for binding, you move into a position ready for a leash to be attached |
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you turn your head to the left, raise your chin and place your hands crossed at the wrist behind your back. You can also hear High Leasha - to be done standing up and Low Leasha - to be done kneeling. |
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~aisling turns her head to the left and her hair flows over her right shoulder, tilting her head upwards towards the sun, she moves her slender arms around to her back and crossing them at the wrists places them resting on her bottom~ |
Nadu |
the kneeling position |
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in this position you kneel down on your heels with your thighs apart and depending on your status of slave you either hold your hands upwards or downwards. If you possess a white silk then you hold your hands downwards to show that you are not for sexual use, otherwise you hold your hands upwards showing that you are. |
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~aisling quickly slides into a kneeling position and sits back on her heels, opening her thighs she watches as her skin on her thighs tighten, closing her eyes for a short space of time she places her hands upwards on her thighs, her slender fingers curving upwards naturally, opening her eyes she straightens her back and lowers her eyes respectfully, feeling her long eyelashes framing her jade eyes as her lips form a faint smile~ |
an affectionate position, only to be performed if commanded |
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you fit yourself at the crook of your Master's arm and snuggle into it |
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~aisling slides over to her Master, kneeling silently at his side, placing her gentle head onto his arm, a soft smile coming to her face at the touch of her Master… her chestnut locks cushioning her head and flowing over the Master's knees, as she nestles into her Master's strong arm~ |
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rostrate |
you kneel, place your palms down on the floor, and put your head on the floor, knees should be apart but no further than shoulder width. |
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~aisling kneels, placing her knees exactly shoulder width apart, she then places her palms on the ground and rocking backwards places her head on the ground, her breasts hovering above the rugs, longing to feel the touch of her Master and her hair billows over her lowered head~ |
an inspection position |
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Lie flat on your back, legs pointed at Master, spread your thighs wide, resting your hands by your thighs, palms up, bending only your left knee, lower your eyes and await inspection. |
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~aisling rolls backwards with the grace of a dancer, her spine touching the ground one pearl at a time, lying there aisling straightens her legs, parting them, showing her Master her heat, then sliding her left leg up, bending it at the knee, to enhance the view, sliding her hands down her body, following her curves she places them by her side, revealing her soft palms… aisling lowers her eyes in respect to her Master, and lies there awaiting her Master's inspection~ |
a command to Run |
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you run towards your objective, with your legs straight, feet barely leaving floor, your head turned slightly to the left, hands at 45 degree angles to your body. When you reach your objective drop gracefully to your knees and assume Nadu |
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~aisling rises to her feet and begins to take short rapid steps towards (objective), her legs remain almost straight and her feet barely seem to leave the floor as she quickly makes her way across the camp, her hair billowing out behind her like a chestnut mist, , her hands placed at 45 degree angles to her body, when she reaches (objective) she slides down gracefully into a kneeling position, thighs parted, left ankle crossed over right as she sits back onto them, placing her hands softly onto her taut thighs, palms up, her face lights up with a smile as she lowers her jade eyes respectfully towards (objective)~ |
She Quad |
Commands you to not use your hands, speak or rise to your feet until Your Master tells you to. |
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this means from whatever position you are in you have to drop to all fours and complete all tasks without the use of your hands, you can use your mouth and teeth to manipulate things. |
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~aisling moves quickly onto her hands and knees, lifts her head, and drops her eyes in respect, looking at her Master's rugs, her back tenses periodically as she breathes and listens silently for her next command~ |
She-sleen |
a display position |
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lower your head to the ground, and clasp your hands behind your neck, move your thighs apart. |
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~aisling lowers her head with its delicate features to the ground quickly in response to her Master's command and when she feels the bite of pain as she reaches the point she cannot bend past she stops and places her gentle hands together behind her smooth neck firmly in a clasp, placing her feet apart so her tender thighs are separated, she stands there her back tight and her hair flowing around her feet on the ground~ |
Slave Lips |
potentially a reward |
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you turn towards your Master and purse your lips for a kiss |
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~aisling turns her head towards her Master and her jade eyes sparkling with delight, lifts her head allowing her chestnut hair to flow down her back and exposing her throat, slowly purses her lips, and closes her eyes, so that she feels her soft eyelashes brushing her cheek~ |
Slave Rape |
A disciplinary Position |
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lie on your back, hands on floor next to hips, part your legs |
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~aisling lies back on the rugs, tears glistening in her eyes as she lowers them, placing her hands at either side of her hips she slides her feet apart, trembling with fear she lies there~ |
a position to reveal your need to buyers at a sale |
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fall to the floor upon all fours, lowering your head to the ground, your buttocks are to be thrust upward and your thighs parted exposing your hind quarters |
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~aisling trembling drops down to all fours, her knees landing on the floor without so much as a sound, her hands landing shortly after, and her hair finally settling over her back and sides. her small bottom in the air and her thighs parted widely. Breathing deeply aisling lowers her head to the ground, anticiapating the whip caressing her as she burrows her chin into her chest, her jade eyes closed tightly~ |
a command to get you to stand, it is also a seductive pose |
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stand, with your shoulders back, feet slightly parted, left foot in front of the right, left knee bent, right hand resting on right hip, left hand resting on upper left thigh. |
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~aisling rises to her feet, circling her left foot gracefully on the ground, then places it gracefully in front of her right foot about shoulders length apart, her shoulders pulled back, her chest straining against the confines of the silks, bending her left knee, aisling lightly places her right hand on her right hip, her soft fingers, caressing it, and then sliding her left hand down her left side stopping when her fingers reach her upper thigh, her jade eyes lowered, but her head held high, proudly~ |
Submission |
a submissive position, a position to ask forgiveness if you have displeased your Master for any reason. |
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kneel and lean forward, bending at the waist, placing your cheek on the ground and pull gently your Master's foot towards you, place it on the top of your neck and cross your wrists behind your back. |
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~aisling kneels in front of her Master, and bending at her waist and places her soft cheek on the floor, ignoring the hard bite of the ground eating into the soft blush of her cheek, stretches her slender arms forward she gently lifts her Master's right foot with her gentle hands and placing it gentle on her tender, soft neck, places her arms on her back crossed at the wrists, her eyes lowered in respect and because she is ashamed~ |
Sula |
a position for serving the Master's Pleasure |
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you lie on you back hands at your sides, palms up and pull your feet apart |
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~aisling lies back on the rugs, feeling their softness on her back, she looks upwards at her master her jade eyes smiling, her soft lips shaped into the faint smile of knowing she's going to serve her Master, placing her arms at her side palms up she opens her legs apart for her Master~ |
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S ula-ki |
lying on your back as for Sula, hands palms up at your sides, feet apart, you lift your hips off the floor slightly |
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~aisling sits down on the furs and lifting her hair places it behind her and lies back raising her hips slightly off the ground, watching herself with her eyes as she places each hand individually palm up at each side of her and then looking straight up she lowers her eyes and parts her legs for the Master~ |
Table a position used when your Master wishes to have a surface to rest things on. |
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you need to as quickly as possible move to your hands and knees with your back straight and holding your head level so you can be used as a surface for holding things. |
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~aisling drops rapidly to her knees wincing as she hits the stones off the edge of the fur with her knee. However this does not alter her pace at all as she gathers her hair in a hand and pulls it over her shoulder so the hair may not make the surface uneven. Balancing her weight on her two hands and knees she straightens her back and holds her head level~ |
Tower |
a position similar to Nadu - a kneeling position. |
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you again are kneeling back on your heels, this time you have your knees together and your hands palms down wrists crossed in your lap |
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~aisling kneels down, her eyes lowered with her soft lashes caressing her cheekbone and framing the jade of her eyes. she feels the soft furs on her smooth skin and allows herself to sit back on her heels, keeping her legs together she arranges her lock chestnuts locks around her and crosses her hands at the wrist and places them palm down on her lap without making the whisper of a sound, extending her slender fingers she rests them on her thighs~ |
a position in which a slave is to be used |
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fall to the floor upon all fours, keeping your head straight looking forward, bottom thrust upwards and thighs parted |
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~aisling moves forward onto all fours, her supple thighs tightening as she parts her legs, her slender arms tensing as she balances her weight, keeping her head with its delicate features straight she looks straight ahead her jade eyes watching the movements of the camp in her line of vision~ |
a movement to get you from one place to another |
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turn then walk across the camp to your objective and then assume stand. |
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~aisling rises to her feet and walking three steps backwards then gracefully pirouetting and walks, her feet seemingly to glide across the camp, her hips swaying as her hair forms a chestnut mist behind her, reaching (objective) she circles her left foot gracefully on the ground, then places it gracefully in front of her right foot about shoulders length apart, her shoulders pulled back, her chest straining against the confines of the silks, bending her left knee, aisling lightly places her right hand on her right hip, her soft fingers, caressing it, and then sliding her left hand down her left side stopping when her fingers reach her upper thigh, her jade eyes lowered, but her head held high, proudly~ |
Whipping |
a Disciplinary Action |
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kneeling Nadu, cross your wrists beneath you and lower your head to the floor to expose your back |
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~aisling gathering her hair over one shoulder, crosses her wrists in between her thighs and bends her small supple body forward, lowering her head to the soft fur of the rugs, tears glisten in her eyes and fall unheeded into the folds of the rug as aisling prepares herself for the beating~ |
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wind swept {VdS} April 1999